TBT: Here’s to Disgust

This post originally appeared on March 6, 2013.  It has returned in honor of Throw-Back Thursday!

Yesterday, as I was washing dishes, I ran the sponge over the final cutting board and Randi and I caught of whiff of something foul.  We looked at each other.  “Did you smell that?” I asked.  We checked behind us (beware floating clouds of filth!).  We checked our shoes.  I even went so far as to smell–discreetly–my own armpits.  We narDSCN3357rowed in on the sponge at the same time, bending over the sink, our nostrils flared and sniffing.

Once, when I worked in a Berkeley retail store, someone thought it was a good idea to set mouse traps in ignored corners of the building–the back of the photo lab, along the balcony, amidst the scores and scores of refrigerator-sized boxes of Croc Shoes and Gaiaim yoga mats.  The traps were then forgotten until one day the scent of decay wafted over the ventilation system.

The sponge smelled like that.  Randi and I both reared back, the same wrinkled noses and gagging tongues.  Our reaction was so synchronized, it felt premeditated.  I tossed the sponge in the trash, activated another, and immediately rewashed the entire dripping stack.

In “The Strange Politics of Disgust,” David Pizarro, a psychologist who studies the way emotions affect moral judgements, presents a handful of interesting findings about this basic human emotion, including the origins of disgust (as a survival skill) and the psychology of disgust (and how it ties into hate).  In the past, I’ve had a handful of writing prompts that revolve around fear.  This year, I thought why not turn our pens towards another powerful feeling?  And so, here are three writing prompts inspired by Pizarro’s talk: Continue reading

Day 22: Action Poetry a la Billy Collins

If you’ve followed the blog long enough, you’ve probably noticed my love for TED Talks.  Since I haven’t given you a TED in awhile, I searched for another inspirational talk on the creative process only to find that I’ve already shared my three favorites (Elizabeth Gilbert, Amy Tan, and Young-ha Kim).  A more broadened search lead me to a lecture given by former U.S. poet laureate Billy Collins.

I really like Billy Collins.  I feel like I’m always running into people who don’t care for his work, and I can’t really understand why.  I find his poems funny, profound, accessible (maybe its the accessibility that people dislike?).  His TED Talk only confirmed this for me.  I guess you could describe it as a poetry reading with a twist: rather than simply reading the work off the page, Collins presents five animated versions of his poems.  If you’d like to view the talk, it’s quite fun.  For this post, however, I thought I’d go straight to the work.

And so, here are four animated Billy Collins poems for your fourth Writer’s March Friday (in no particular order).  I always find that poetry inspires my own work.  I hope it does the same for you.

Budapest

Forgetfulness

Some Days

The Best Cigarette

Retired smokers beware…  It might have you aching for another cigarette..

To see more animated poetry, visit the Billy Collin’s Action Poetry Website.

Day 6: Here’s to Disgust

DSCN3357Yesterday, as I was washing dishes, I ran the sponge over the final cutting board and Randi and I caught of whiff of something foul.  We looked at each other.  “Did you smell that?” I asked.  We checked behind us (beware floating clouds of filth!).  We checked our shoes.  I even went so far as to smell–discreetly–my own armpits.  We narrowed in on the sponge at the same time, bending over the sink, our nostrils flared and sniffing.

Once, when I worked in a Berkeley retail store, someone thought it was a good idea to set mouse traps in ignored corners of the building–the back of the photo lab, along the balcony, amidst the scores and scores of refrigerator-sized boxes of Croc Shoes and Gaiaim yoga mats.  The traps were then forgotten until one day the scent of decay wafted over the ventilation system.

The sponge smelled like that.  Randi and I both reared back, the same wrinkled noses and gagging tongues.  Our reaction was so synchronized, it felt premeditated.  I tossed the sponge in the trash, activated another, and immediately rewashed the entire dripping stack.

In “The Strange Politics of Disgust,” David Pizarro, a psychologist who studies the way emotions affect moral judgements, presents a handful of interesting findings about this basic human emotion, including the origins of disgust (as a survival skill) and the psychology of disgust (and how it ties into hate).  In the past, I’ve had a handful of writing prompts that revolve around fear.  This year, I thought why not turn our pens towards another powerful feeling?  And so, here are three writing prompts inspired by Pizarro’s talk:

Prompt #1: Feces, Urine, Vomit, and More

Speaking of disgust: why is it that dogs don't seem to be disgusted by things?

Speaking of disgust: why is it that dogs don’t seem to be disgusted by things?

On Facebook not so long ago, one of my friends and favorite writers, Lori Ostlund, posted the following update:

Each time I sit down to revise my novel, the thought comes to me: How much scatology is too much?

Well, Lori, I say let’s test that shit out.  And while we’re at it, here are some other disgust-inducing delectables to choose from (you can see images of some disgusting things in Pizarro’s talk below):

  • rotting flesh
  • blood
  • pus
  • body odor
  • urine
  • vomit

Got a dead scene that needs some spicing up?  In need of a striking image?  Ever wonder what might happen when a bowl of okra is left in a refrigerator to rot?  In your own lives, what do you find most disgusting and why?  Grab a pen.  Set your timers.  Go!

Prompt #2: Contamination

Another interesting Pizarro tidbit:

“One of the features of disgust is not just its universality and its strength but the way it works through association.  When one disgusting thing touches a clean thing, that clean thing becomes disgusting and not the other way around.”

Here, I’m reminded of my sponge and the load of not-so-freshly-cleaned dishes, but there are other ways to take this thought.  I once had a creepy neighbor who lived down the street.  Whenever I walked to the bus stop, I found myself cutting down other blocks simply to avoid his house.  I’ve heard stories of friends who will not place backpacks on top of beds because said backpack touched a multitude of dirty floors.  On a more global level, Pizarro points out the way disgust has been used to augment prejudices (one group avoiding another group of people and/or one group associating disgusting things with another group in order to spread feelings of disgust to the masses).

An official prompt:  Write a poem or a scene about a moment when something that was once pure became contaminated.  What was the event?  What was the contaminant?  What was the once pure thing?

Or, an alternative:  Write a scene in which someone or something is wrongfully labelled as “contaminated.”  How did this come to be?  How was it righted (if it was righted at all)?

Prompt #3: Stinky, Stinky, Stink

One of the main points in Pizarro’s talk dealt with the relationship between disgust and morality.  As his research has shown, when faced with something disgusting (like a foul odor) or even the thought of something unclean (like a reminder to wash one’s hands), people are more likely to find a certain act morally wrong. For this third and final writing prompt, why not see what happens when you put a bad smell in a room (or a poem). How might something malodorous exacerbate an already tense scene or moment?

Still don’t have enough?

Watch the talk for yourself.  It doesn’t have much to do with the act of writing, but clearly I got a lot out of it.  There’s much more information worth mining.

March Arrives in T Minus 9 Days and Counting

The month of February is coming to a close, and that means that March is right around the corner.  I am looking forward to warmer days, a spring break visit to California, and this year’s Writer’s March.  I thought that now would be a good time to send out an anticipatory post.  Time to start crafting those writing goals.

For those unfamiliar with A Writer’s March, the idea is simple:  set a writing goal and work every day during the month of March to achieve it. The goal can can be whatever you like–two short stories you’d like to submit to literary magazines, 30 newly drafted poems, 100 revised pages of a novel, seven stellar songs….  The idea here is to think about what you’d like to have completed by the end of the month.  Your goal should challenge , but it should also be do-able.  Even the goal of writing for 20 minutes a day is admirable if that is all you can find.  For me, the importance here is not to exhaust yourself or beat yourself up, but to hold yourself accountable.  You make the promise and then you keep it.  Its as simple as that.  Oh yeah, and I’ll post some things here on the blog–bits of writing advice, prompts, jokes, stories of my own.  You can read the posts, share your own tales and woes, and we’ll go from there.

Why do this?

Today, as I ate tomato soup and leftover naan, I encountered Young-ha Kim’s TED Talk titled “Be an artist, right now!”  Translated from Korean, the main point of Kim’s talk is that we are all born artists and need to embrace art in our life, even when–especially when–it doesn’t seem practical. As he points out, as young children, we draw with crayons on walls, dance and sing in public, play house (aka perform mini-dramas).  We build sandcastles next to waves, not caring that the ocean will soon break the whole thing down.  Why?  Because it is fun.  Because it brings us joy.

“Unfortunately,” Kim points out, “the little artists within us are choked to death before we get to fight against the oppressors of art.  They get trapped in.  That’s our tragedy.” Without art, he explains, our artistic desires reveals itself in dark forms: karaoke bars, crowded clubs, and jealousy.  “We get jealous because we have little artists pent up inside us.”

While Kim’s talk is aimed towards an audience of “non”-artists, I found his message to be inspiring even for those who have more fully dedicated themselves (and their pocket-books) to the craft. I also enjoy his ideal version of the world: a place where someone might be a golfer by day and a writer by night, or a cabby and an actor, a banker and a painter.  For what is art for?

It saves our souls and makes us happy.  It helps us express ourselves and be happy without the help of alcohol or drugs.  So in response to such a pragmatic question [i.e. “What for?’], we need to be bold.  “Well, just for the fun of it.  Sorry for having fun without you.”

This will be a fun month.  Together, we’ll get a lot of words written.  We’ll create.  We’ll let the little artists out for some fresh air.  The weather is going to get warmer, after all.  Why not join in?  (No, really.  Click HERE to join the March…)

Additionally, if anyone is interested in blogging with me this month, please let me know (writersmarch@gmail.com)! 

Day 24: Saturday inspiration from Elizabeth Gilbert

When I first went searching for TED Talks, I tried typing phrases into google like “TED TALK creativity” or “TED TALK Writing” or “Top TED Talks on Writing.”  At the top of nearly every list was a talk by Elizabeth Gilbert on nurturing creativity.

Elizabeth Gilbert, author of Eat, Pray, Love, is one of those writers that I’ve avoided.  In hindsight, I feel a bit like one of those hipster Indie music lovers who love Modest Mouse or Franz Ferdinand or the Yeah, Yeah, Yeahs until they realize that other people are listening to them.  I’ve never “listened” to Gilbert, but I avoided her because she was popular.

Boy am I glad that I watched this.   Gilbert confirmed much of what this Writer’s March is all about: showing up.  Twenty minutes long, but well worth it.  The first time I watched it, I wrote for several hours.  I hope it does the same for you.

 

NOTE FROM JENN:  I had trouble getting this video to connect, so here is the link on the TED site:  http://www.ted.com/talks/elizabeth_gilbert_on_genius.html

Day 4: A Post that Feels like a Sunday Drive…

In honor of long, lingering Sunday morning drivers, for today’s post, I thought I would defer to a TED Talk with Amy Tan on “How we create.”

But first, an anecdote.

When I was a senior in high school, a few friends and I visited UC Berkeley, the campus that would later be my alma mater.  It was CAL Day, an annual event geared towards high school students interested in the University.  You could tour dorm rooms (even stay over night in some), visit lectures, and see public talks.  We happened upon one from Amy Tan.

Having read the Joy Luck Club together in a sophomore English class, my friends and I were excited.  Here was a real writer (the first one we’d ever seen in person)!  And she was Asian (as were we)!  And we were alone in a new city (without the parentals for perhaps the first time)!  And we were prone to exclamation points!  We sat in the front row, and Amy Tan was everything we wanted her to be and more.  Insightful and funny and witty, and perhaps that was the day I knew for sure that I wanted to be a “Writer.”  She pulled out some Cliffs Notes for The Joy Luck Club (aka High School Cheat Sheets – an eighth of the length, all the content, but none of the pleasure), and she proceeded to poke fun at the way her work and her life were interpretted by others–her way of exploring the intersection of writer & student & teacher.  She also had, propped beside the podium, a small black bag that you’ll see if you watch the TED Talk below.  The SAME black bag, though the two talks have roughly ten years between them.

At the end of her presentation, rather than taking questions via raised hands, she passed around index cards and people wrote their questions down.  The questions were collected, and she was able to flip through a fairly large stack and choose which to answer and which to avoid (the brilliance of this has only occurred to me now after witnessing many readings and many awkward Q&As).  The answer to the first question took up most of the allotted time, and she was only able to answer one more.  My friends and I watched in anticipation.  I picture the three of us leaning forward in our chairs, our foreheads inches from the stage.  And then, she stopped.  “This is the one,” she said.  The question she read was mine, and it was this: What’s in the bag?

I’d tell you the answer, but it’s better if you see for yourself…

I don’t know what it was about, this TED Talk.  It isn’t that she says anything that I didn’t already know, but I’ve always found comfort in watching live readings.  I usually leave them and all I want to do is to write for the rest of the night.  I felt that way at the end of this talk.  I hope it has the same affect on you.

Day 1: Set Your Goals

Since last year’s Writer’s March, I’ve been thinking a lot about goals.  What makes a goal “Good”?   For the purposes of this Writer’s March, I would like to define a “good” goal as a goal that is, above all else, “achievable.”

4 things to keep in mind when setting your GOAL

Start Small but Don’t be Afraid to Push Yourself

If you aren’t already writing daily, don’t jump into five hours/day.  I was writing an hour a day consistently, and when I bumped myself up to 90 minutes, I struggled to keep it.  I grew discouraged, and as a result, I stopped writing.  Don’t let that happen to you.  If all you can do is 15 minutes/day, don’t be afraid to say it.  Chances are that you’ll write for much longer anyway.  Remember, the purpose of Writer’s March is to find a way for writing to fit into your life.  They say that it takes 30 days to create a habit.  Why not make the habit a goal as well?

That said: whenever you sit down to write, aim for more.  Can the 15 minutes become 30?  Can the 30 become an hour?  Just because you’ve set a goal, doesn’t mean you can’t surpass it at every chance you get.

Be as SPECIFIC as Possible.  

They say that goals are better achieved if they are measurable.  In other words, if possible, make your goals concrete.  Here are some of the Current Challenger goals posted so far:

  • Melanie Unruh’s Monthly Goal: To write 4 stories in the month
  • Lenore Gusch’s Monthly Goal: To write a short story
  • Teresa E. Gallion’s Daily Goal: To write a poem a day

What I envy about those training for marathons are the way they are always advertising their running times and training schedules.  Ran six miles today.  Ran ten miles today.  Think of the daily goals as the same thing: what are you doing each day (writing and for how long?),  and what is your version of the marathon (a novel, a story, a single poem)?  And don’t forget: the act of building a writing habit is also an excellent monthly goal.

Once the Goals Are Set: Keep Them!

When I was at the Taos Summer Writers’ Conference in 2010, the question posed at every reading was this: What is the best writing advice you’ve ever been given? John Dufresne, fiction writer and author of Is Life Like this?, gave this advice:  KEEP YOUR BUTT IN THE SEAT.

These are words I have heard so often I can no longer count them.  The first time was through Greg Martin in a Creative Non-Fiction workshop.  Greg advocated for a minimum of 3 hours/day for his MFA Graduate students.  He firmly believed that even if you couldn’t write a word, you had to sit there anyway.  As Greg put it, you are training your body to write the same way a runner trains his/her body.  You sit there staring so that the next time, when the inspiration strikes, you are ready for it.  If you’d like to hear more about Greg’s theory, you can visit his famous TREADMILL JOURNAL (for writers).

And finally: Don’t Let the Goal Stand in for the Task

Derek Sivers in this Ted Talk says it best:

According to Sivers:

“Repeated psychology tests have proven that telling someone your goal make it less likely to happen.  Anytime you have a goal, there [is]…some work that needs to be done to be done in order to achieve it.  Ideally, you would not be satisfied until you have actually done the work, but when you tell someone your goal and they acknowledge it, psychologists have found that…the mind is tricked into the feeling that it’s already done, and then once you feel that satisfaction you are less motivated to do the hard work necessary.”

In a way, perhaps this Ted Talk is saying that Writer’s March is a bad idea.  But I don’t think you have to look at it this way.  Especially when, at the end, he says that if you must say your goals out loud,

state it in a way that gives you no satisfaction.  Such as, I really want to run this marathon so I need to train five times a week and kick my ass if I don’t, okay?

In others, rather than focusing on the end result, focus on the difficult path (because writing daily is not easy).   But whenever possible: STAY SILENT.  For my purposes, I’ll keep my thoughts about my novel to myself.  And if you must talk about your writing, why not talk about Writer’s March (…ahem…shameless promotion…)

Got a Goal?

If you want your name and your goal to be on the “official” Challengers Page, please SIGN UP TO JOIN THE MARCH.