Dorothea Brande’s “Formula for Success”: The Will to Fail Revisited

At the onset of this Writer’s March Challenge, I wrote about Dorothea Brande and the “Will to Fail,” a concept based on Nietzsche’s “Will to Power” that seeks to name the human propensity towards self sabotage.   As I explained,

Each person has a dream, a goal, an internal sense of what would make their lives better (their own will to power, so to speak), but each person’s will to power [is] usurped by the stronger will to fail.

selfsabotageyoursuccessMany people have watched Neil Gaiman’s commencement speech, a video I shared and discussed many years ago.  In this speech, Gaiman talks to a group of graduating art students about how to make it as artists in today’s world.  He tells them to always keep in mind what they have at the top of their mountain (their life goal).  Then, when faced with choices on what to do next, he said, keep in mind this mountain and choose options that will take you closer to the top.  And so, put another way, the “Will to Fail” involves all the life choices we make that either take us down or away from our mountains.  It also (perhaps most importantly) asks us to examine all the reasons we stop climbing altogether.

So, what do we do to avoid this “Will to Fail”?  How do we overcome it? In other words, I keep hinting at Brande’s formula for success, but have yet to offer it up.  And so, I offer it now.  As Brande Says,

All that is necessary to break the spell of inertia and frustration is this: Act as if it were impossible to fail.

Continue reading

The Last (Soundbite) Supper

Guest post by Randi Ocena

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First of all, do you like how I worked that pre-Easter reference in the title there?  Second of all, did you know that several well-known scholars believe The Last Supper actually occurred on April 1st? And did you also know that some lesser known scholars believe April Fool’s Day originated as a lighthearted attempt to cheer up that otherwise sad and somber occasion? (That last bit may not be true, so best not go repeating it to your friends and colleagues.)

Anyhow, here is the final installment of podcast recommendations, suitable for writers of all ages, genders, and religious affiliations.

Creative Writing Career  

This one is all business, but in that casual Friday sort of way.  Each episode typically features one guest writer, plus a notable hosting panel of writers from all across the board (books, screen, videogames). Topics are highly specific for each episode but wide-ranging across the series and include things like not screwing up your great novel with a crappy query letter, keeping the attention of young children for more than two seconds, and choosing the right tags in descriptions of your book for the online market.

Writing Class Radio

Sometimes writers like to overshare. Sometimes we don’t share enough.This podcast is all about the oversharing. One episode that stands out is perhaps “I Fart, You Fart, We All Fart and Most Of Us Deny It.” Also “How To Tell Your Inappropriate Story” which includes the phrase “he grazed my uh, anatomy” and some background cat noise & guitar music with whispering.  Fiction, non-fiction, laughing, crying. It’s all here, sometimes all at once.  It took a couple of episodes, buy I’m a fan.

Story Makers Show

Before I try to sell you on this last podcast, I’d like to get two minor gripes out of the way that nearly stopped me listening to it beyond the first 11 seconds:  1) Whether the title refers to a show belonging to two story makers or whether it refers to a show intended for all story makers in general, I’d like to see some possessive noun punctuation in there . In short, I find the absence of an apostrophe in the title distracting, as evidenced by the fact that I am mentioning it at all. But then, I am also disturbed by the use of mismatching hangers on my side of the closet, so whatever. 2) There are 11 seconds of electronic noise (music?) at the beginning of the show which shouldn’t bother me, but I feel strongly compelled to mute it.

All that aside, this is a good show featuring the usual writerly podcast fare: Interviews, Q & A, advice, readings. So why mention this one when there are so many others like it?  Partly, I like that it adds some academic depth & heart to the usual craft discussion without being pretentious or mushy.  But mostly, I like that it is a show dominated by scores of sharp, witty, diverse and talented women. Seriously, just try finding a straight white male writer on this show. I haven’t yet.  (And straight white guy readers, please don’t get offended. Some of my best friends are straight white guys, really.)

And lastly, for dessert, I leave you with this.

This” is a hyperlink to a  whole list of more writerly podcasts, a list written by someone other than me.  Some of it will be familiar to you by now, but I don’t have enough ears or hours to listen to every last one of them.  I hesitated to include it here without the proper vetting first.  But just like the time I failed at marriage by hiding cookies in the furthest reaches of the pantry to protect Sam from potential poisoning by untested cookies, I cannot win at blogging by trying to protect you from potentially crappy or harmful podcasts through extreme vetting or religious popquizzes (comedic callback & political elbow nudge in one go…Ta-da).

So with that I say, listen with discretion and I hope you’ll find something to like. Or as my mother says, be safe and have fun, in that order.

So until next year, friends–Happy  listening, happy writing, happy marching. And many other happy things too.

 

 

On Daily Habits: Thoughts From Our Challengers

Whenever someone joins this Writer’s March, I ask for an exercise that they’d like to
share.  This year, several responses had less to do about one-time things and more about the daily writing people do to help form good habits.  Reading these changed the way I think about exercises. I always thought they something you did when you were stuck or wanting to get started, something that changed every time.  I hadn’t considered the way we could turn the exercise into something that “unsticks” us on a daily basis.

This morning, as we ate breakfast, Randi told me about how habits are formed.  I’ve written about this before, but I hadn’t thought of how those habits are related to the processes of our brains.  As Randi explained, rather than thinking about the left and right sides of the brain, think instead of the front and back.  The front of the brain processes information that is new.  That new information, if repeated often enough (30 days, ahem!), moves to the back of the brain to form habits.  Once things are habits, they become easier to do because we no longer have to think about doing them.  On Sunday, she’ll offer more insight on this (specifically on how to break the bad habits), so I don’t want to give it all away, but here on Day 3, I thought it would be cool to see the habits that are already in place.  These are things the rest of us might steal either for the entirety of March or just for the day: Continue reading

The Will to Fail

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This winter, Randi and I took a road trip from California to Norman, Oklahoma for the holidays.  It’s a long drive, over twenty-four hours, and we spend most of the time reading to each other.  Randi had picked up  Dorothea Brandt’s How to Wake Up and Live: A Formula for Success that Works.  Brandt’s other book, Becoming a Writer, was one of the most influential in Randi’s early writerly development.

Brandt’s book, as it’s subtitle suggests, is a “formula for success.”  In the introduction, she tells us this formula has changed her life then teases the reader with several chapters before she gives said formula away.  At first, I’d been annoyed – why dangle the “secret” over our heads (for it is, indeed, similar to the “secret” in The Secret), but as Randi read onwards, I began to understand.  A formula can only be useful if you have taken the time to understand its parts.  And this formula had one part in particular that needed explaining: it was, as Brandt called it, the “will to fail.”

friedrich-nietzsche-power-quotes-the-world-itself-is-the-will-toThis will to fail concept is a variation on Nietzsche’s “Will to Power,” which my old friend SparkNotes explains as a fundamental part of living, the quest to have and be powerful, a need that is “stronger than the will to survive.”  While this will to power can result in conflict, “Nietzsche is more interested in the sublimated will to power, where people turn their will to power inward and pursue self-mastery rather than mastery over others.”  In other words, it is our desire to be powerful individuals that drives us towarsd self-betterment (or at least this is how I understood it).

Brandt, however, points out that there is something stronger than this “Will to Power” that Nietzsche doesn’t address, and that is the “Will to Fail.”  For pages upon pages, she offers examples of what this will to fail looks like – the person who says they want to travel but blames a lack of money.  The person who wants more from life but is focused on raising a family.  The person who wants to be a writer, but after receiving rejections claims that they’d tried that and the world had dubbed them not good enough.  Each person has a dream, a goal, an internal sense of what would make their lives better (their own will to power, so to speak), but each person’s will to power was usurped by the stronger will to fail.  And so, despite what might seem like success–person A died a beloved member of his community, person B raised three healthy children, person C lived a long, mostly happy life, Brandt argues they fail in their ultimate purpose.

Now, I admit, there is a harshness in Brandt’s observations.  There is, too, a certain privelege that she brings with her as well, and yet, as she described each scenario, I couldn’t help but think of people I knew, each one doing similar things to those in her examples, each wanting but doing little to make changes, each with another reason or rationale for why the changes were impossible.  Each mostly happy and simultaneously dissatisfied with their current state.  Since reading this book, I have come to notice more and more the way my own excuses have become transparent as just that: excuses.

At this point, you may be wondering…This is Day 2 of Writer’s March!?  Why are you talking about failure?   Isn’t this when you would usually inspire us to craft our goals?  To be excited?  But as I think about my own goals for the month, which are still in the formation stage, I can’t help but feel like it is vital that we examine how the will to fail is playing out not just in our daily lives, but in the goals we are setting before us.

So, here on day two, I offer some ideas of self-reflection.  

First, consider the excuses you make for why you don’t write.  Do you recognize them as excuses?  Do you see them as the obstacles they are?  Second, consider your goals so far.  Are we asking enough of ourselves?  Are we asking too much and setting ourselves up for failure?  Are we aware of how capable we truly are in terms of what we can accomplish?

Find some way to offer yourself a reminder and/or clear the obstacles away.  Maybe it is an object or a quote.  Maybe it is a drawing of what these fears look like.  Maybe you hold a ritual and write the excuses on strips of paper, then burn them away.  Whatever you do, I think it is crucial that we face our own will to fail when we set forth on the journey of this month of writing.

…and if you are interested, it might be fun to share them in the comments below.

Then, when you are done, don’t let your meditation on the will to fail become another excuse for why you are not writing.  Get to it.  Tell us how it goes.