TBT: Shameless Plug? or Inspiration?

In honor of the Facebook “Throw Back Thursday” Tradition, I thought I’d bring back Oldie’s But Goodies. This week’s TBT prompt was originally published in 2013 by Jennifer Simpson.

As Jenn writes:

“Goals are good. Measurable goals even better. But understanding the why: why is it important to you, what is your mission, what part of your soul does attaining this goal feed? Those are the things that will keep you going.”

Read the entire post here:

A Writer's March

Hopefully a little of both…

Before you dig in too deep with your Writer’s March goals, I’m going to suggest starting with writing about why you write

Last summer I had the pleasure of attending the Taos Summer Writers’ Conference as a graduate student intern–the last time I will be able to do that since I’ve now graduated. At The Conference I signed up for Seattle-based writer Priscilla Long‘s week-long class, “The Art of the Sentence, the Art of the Paragraph.” (PS there are still spots left in Priscilla’s class for the summer 2013 Conference)

Two great things were sparked by in-class writing exercises: one, an essay that while it has not yet found a home (rejected by 6 of the 12 journals I’ve sent it to) was a finalist for the A Room Of Her Own Orlando Prize for creative non fiction and two, the I…

View original post 226 more words

Day 28: You Are Good Enough

Self-portrait:  how I think I look when I'm feeling good about myself.

Self-portrait: how I think I look when I’m feeling good about myself.

Last week was a good week. I made progress on a chapter that was giving me problems, and while I’m not sure I fixed the problems, I know I took a chapter that was once seven pages long and doubled it. I’m still not sure what this chapter is about but I have a lot more to work with and I’m much closer to heart of it. I’m finding my way through. And I had a coffee date that went well, followed by a flurry of flirty text messages…

This week was not so good.  I have been trying to work on two very messy early draft chapters that have a lot of overlap.  Each chapter needs to do something different, say something different, propel the narrative forward and instead I feel like I’m repeating myself. I don’t know which scenes need to be there, which ones should go or if I need to write different scenes.

So I did what I do: I made a list of all my chapters. I noted the scenes in each chapter and I noted themes.  When I realized I had 13 chapters I thought it was so poetic because my mother died when I was 13 so in my mind it made sense, but I still have no idea how to fix these chapters except to combine them into one chapter.

Self-portrait : how I think I look when I'm  not feeling good about myself.

Self-portrait : how I think I look when I’m not feeling good about myself.

This morning when a friend posted on Facebook an announcement of a success,  instead of being happy, I felt this incredible stab of jealousy then a wave of self-doubt overcame me.  I did an inventory of everything I didn’t have, every award I didn’t win, and every rejection letter I’ve received.

I stared at the pages strewn across my desk and I stared at the blank document on my computer.  It didn’t help that the flirty text messages stopped two days ago.  I was left feeling not good enough.

Somehow I found myself reading the Dear Sugar column where Cheryl Strayed advised a young writer to “write like a motherfucker.”  And while that phrase has become an anthem for writers, there was lot more to that column that resonated with me. Strayed wrote of her own struggles with writing:

I’d finally been able to give it [everything] because I’d let go of all the grandiose ideas I’d once had about myself and my writing…. I’d stopped being grandiose. I’d lowered myself to the notion that the absolute only thing that mattered was getting that extra beating heart out of my chest. Which meant I had to write my book. My very possibly mediocre book. My very possibly never-going-to-be-published book. My absolutely no-where-in-league-with-the-writers-I’d-admired-so-much-that-I-practically-memorized-their-sentences book. It was only then, when I humbly surrendered, that I was able to do the work I needed to do.

And some advice:

How many women wrote beautiful novels and stories and poems and essays and plays and scripts and songs in spite of all the crap they endured. How many of them didn’t collapse in a heap of “I could have been better than this” and instead went right ahead and became better than anyone would have predicted or allowed them to be. The unifying theme is resilience and faith. The unifying theme is being a warrior and a motherfucker. It is not fragility. It’s strength. It’s nerve. And “if your Nerve, deny you –,” as Emily Dickinson wrote, “go above your Nerve.” Writing is hard for every last one of us—straight white men included. Coal mining is harder. Do you think miners stand around all day talking about how hard it is to mine for coal? They do not. They simply dig.

I was reminded that I need to let go of my grandiose ideas about my book. I need to stop comparing myself to other writers, those published ones I admire so much, my friends who are experiencing their own successes, and I just needed to write, to dig deep.

Yesterday my friend Elizabeth tagged me on an internet meme that’s going around: The Next Big Thing. This afternoon, after wallowing in my insecurity I started my own response and began to write. While I wasn’t working on my memoir, one of the questions is “Who or what inspired you to write this book?”  Answering the question reminded WHY I also need to write like a motherfucker.

I can tell you I’m writing to memorialize my mother, to memorialize my father, to tell someone what I know about grief and loss, to hopefully let one person know they are not alone in their grief….. but the bottom line is that even though it’s hard, I need to write this book because it’s harder to not write this book.

And I need to remind myself everyday that I am good enough–and so are you.

Day 21: Write to Make Your Reader Cry (Thursdays with Jenn)

Untitled-1I really wanted to title this post “There’s No Crying in Writing” but that would be just wrong.  Maybe crying while writing is more of a memoir thing, especially when you’re writing a memoir about death and cancer. Or maybe it’s a female thing.  Crying is a natural, biologically driven response for women.  Women actually have more of a protein called prolactin (more as in 60 percent more!) than men, which triggers crying (and also lactation, but that’s another blog post).  Crying is good for you, keeping your eyes healthy, releasing stress, ridding the body of toxins and of cortisol, a stress hormone.

Maybe this blog post is just me justifying my propensity for tears.  (Read about the times I cried at work on this blog article titled “There’s No Crying in Welding.” (Hey, the title worked there.)

I don’t actually weld, but when I write I cry.  All the time. It’s annoying. It slows me down. It makes it hard to write certain scenes, scenes where I have to access the tough emotions (this is probably where fiction writers and poets can relate).

And there is a part of me that thinks that if I don’t feel deep emotion when I’m writing there is no way any reader is going to feel emotion either.

The January/February issue of Poets & Writers included a great article, “The Heart and the Eye: How Description Can Access Emotion,”  by J.T. Bushnell.  Unfortunately it is not available online, else I’d offer up a link, but I am going to quote from it:

“By description I mean the concrete, the things we can observe with our five senses: sight, sound, smell, taste, and touch. I do not mean simple adjectives. I do not mean descriptions such as ‘The weather was glorious.’ Glory is an abstraction, a category of word that George Orwell calls meaningless. By itself, the word glorious is useless because it can’t show us anything concrete. It  can’t show a white-hot sun perched overhead, or a sky so hard and blue that a fly ball might shatter it. It can’t show a pitcher’s shadow puddled under his cleats, or heat rising from the ground in shimmering corrugation. It can’t produce the smell of hot aluminum bleachers, or the lubricated slide of a sweaty armpit, or a sunburn tightening the skin on the back of your neck. It can’t let you taste the sweat on your lip when you go too long between slugs of cold beer. Only concrete description can do that. ”

So your challenge for this week:  look at whatever you’re working on and remove  words like “pretty” and “glorious” and any other concept word and replace it with detailed descriptions.  Thus, “Autumn was pretty.” becomes “Autumn was tall and thin with long straight brown hair, her brown eyes catlike, her face heart-shaped, her cheekbones high….” (or something like that)

Then have a good cry!

Day 14: Preconceived Ideas and Notions

Your Thursday post by Jennifer Simpson

I’ve been mulling this post for a week. I had all kinds of (preconceived) ideas about structure, about how you have to let the story be what it needs to be, tell the story in the way it needs to be said…  and then I read this great article in the New York Times:

I’ve been trying to lie about this story for years. As a fiction writer, I feel an almost righteous obligation to the untruth. Fabrication is my livelihood, and so telling something straight, for me, is the mark of failure. Yet in many attempts over the years I’ve not been able to make out of this tiny — but weirdly soul-defining — episode in my life anything more than a plain recounting of the facts, as best as I can remember them. Dressing them up into fiction, in this case, wrecked what is essentially a long overdue confession.

Here’s the nonfiction version.

continue reading “Writing About What Haunts Us” by Peter Orner online–>

Not so much about structure but sometimes you just have to let the blog post be what it wants to be…  or else it won’t feel authentic.

I am in no way suggesting that all you fiction writers and poets write creative nonfiction, but what I am suggesting is that sometimes the real-life “truth” doesn’t fly as fiction (and vice versa).  Experiment.  Take one of of your fiction pieces that is really a true experience from your life heavily disguised and write it as nonfiction!  And that nonfiction piece that’s not working, write it 3rd person as fiction, change the gender of the main character–have fun with it!  What you just may find is that even if it doesn’t work, you may learn something about the story that you didn’t know before, gather some insight into the characters, a greater understanding of why, and your fiction/nonfiction piece will be richer for that knowledge.

7-7-2010_003UNRELATED WRITING PROMPT:  find a photo of yourself or someone in your story–  if you’re writing fiction, use a found photo (google image search can be fun for that) or deeply imagine a photo of a person in your story.

Describe the person in the photo, the physical details like hair and eye color, face shape, height, body type, stature, mannerisms.  Where and when was the photo taken?  What does this photo mean to you? What does the photo NOT tell you about this person? What does this person want?  What is in his/her way?  What do you NOT know about this person? Then go beyond the photo itself:  what was happening before or after this photo was taken, outside the edges of the frame….

Shameless Plug? or Inspiration?

Hopefully a little of both…

Before you dig in too deep with your Writer’s March goals, I’m going to suggest starting with writing about why you write

Last summer I had the pleasure of attending the Taos Summer Writers’ Conference as a graduate student intern–the last time I will be able to do that since I’ve now graduated. At The Conference I signed up for Seattle-based writer Priscilla Long‘s week-long class, “The Art of the Sentence, the Art of the Paragraph.” (PS there are still spots left in Priscilla’s class for the summer 2013 Conference)

Two great things were sparked by in-class writing exercises: one, an essay that while it has not yet found a home (rejected by 6 of the 12 journals I’ve sent it to) was a finalist for the A Room Of Her Own Orlando Prize for creative non fiction and two, the I WRITE BECAUSE project.

In class, Priscilla had us write to the prompt, “I write because….” Twelve of us sat around the table and furiously wrote for 12 minutes. What amazed me was the commonality, that 12 people from different walks of life, different life histories, living in different parts of the country, at different ages, could connect on so many of the basics about why we are driven to do this writing thing. And how many of us like the sound of pencil on paper.

Maybe more importantly the exercise reminded me of why I’m doing this thing that is so often seemingly unrewarding.

Goals are good. Measurable goals even better. But understanding the why: why is it important to you, what is your mission, what part of your soul does attaining this goal feed? those are the things that will keep you going.

(and for a twist, if you’re curious, I wrote tongue-in-cheek “Why I DON’T write” post.)

And so, I invite you all to read about the exercise, then set your timer and go!

PS: did you know that you can get these blog posts delivered as emails right into your inbox.. on the sidebar you’ll see a tab that says “Write with us!” and you enter your email and we’ll send you prompts and inspiration every day throughout March.